My work lives at the intersection of portraiture, narrative, and fine-art practice. I spent years working as a camera operator and DP in the film industry, and that background continues to shape how I make images today.
I am drawn to quieter, more suggestive forms of storytelling, the tension between stasis and motion, the feeling that something is happening just beneath the surface. I make photographs that feel like they belong to a larger unseen story.
My influences are eclectic, and my work tends to sit where different visual languages blur together—the intimacy of documentary, the constructed world of cinema, and the interpretive quality of fine art. I try to make room for reality and imagination to meet within the same image, letting one inform the other.