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Profile of the Banshee, done in a figure on ground composition using emergence to create the image of the face from a field of lines.
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An interpretation of the story of Balor of the evil eye, done in a figure-ground ambiguity using multistability to create a fluidity between subject and background.
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A group of fomorians, done in a random composition using the law of proximity to create groups and variations of the diverse fomorians.
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Soldiers of the Fianna standing at the ready, done in an order composition using the law of similarity to create two groups.
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A Celtic symbol for change and cycle known as a triple spiral done using an asymmetrical composition using reification to create the illusion of the triple spiral shape.
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An interpretation of the Irish vampire known as the Abhartach, done in a symmetrical composition using the law of symmetry to create one figure using two symmetrical shapes.
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The story of the headless horseman known as the Dullahan, done in a diagonal composition using the law of continuity to create the illusion of a continuous line in the whip and background.
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The Glas Gaibhnenn green cow of bounty, done in a horizontal composition using invariance to manipulate a familiar shape into many variations.
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A rendition of two Merrow (Irish Mermaids) swimming among some fish, done in a vertical composition using the law of common fate to separate creatures moving upstream and creatures moving downstream.
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The house of a fairy, strung from a tree, done in an emphasis composition using color to create focus on the house and emergence to develop a foreground amongst a field of grass.
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Depiction of The Ellén Trechend, done in a motion composition using the law of closure to create the image of the beast, using surrounding shapes.
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A rendition of the great warrior Cu Chulainn, done in a triangular composition using the law of closure to force the eye to connect the silhouette of the warrior on a mountain using shapes.