Graduates

Ronnie Alley

MFA in Graphic Design - 2 Yr Path — Graduate Graphic Design
Course:
Font Design 1 and 2
Faculty:
Greg Lindy
Term:
2025 Fall

Ralley Sans

Intentionally crafted with the utility of a grotesk, paired with enough gusto to leave an impression, I designed this font family to reflect my own identity. Hardworking, lighthearted, and just serious enough to keep it business casual. 

View the full project case study HERE.

Process:

When beginning this project, I didn’t want to design just another sans serif. I set out to create a typeface I would actually use. I wanted to create a font that could serve as a workhorse for my personal brand while standing apart from the many existing grotesk sans serifs. Over twenty weeks, I iterated between refining individual letterforms and evaluating the system as a whole, eventually developing a four-weight type family.

Learning Outcomes:

I’ve always loved type, but designing my own typeface from scratch gave me an entirely new appreciation for the craft. Studying the micro-details of each letterform and seeing how they influence the tone and performance of the full system changed the way I look at typography.

Tags:
Advertising,
Publication Design,
Typography
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Running with the business casual theme, all the typesetting examples utilize corporate jargon.
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Character by character, each and every form was finessed week by week.
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In designing the specimen book, I leaned even more into the business-casual personality that had developed within the typeface, filling spreads with corporate jargon and post-it-yellow accents as a tongue-in-cheek nod to the font’s quirky yet utilitarian nature.
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As a final showcase of the font family’s capabilities, I developed a series of posters to launch Ralley Sans into the world. Through these posters, I aimed to highlight the rhythm of the letterforms, the tonal range across weights, and the distinct character of the family as a whole.